Emery Rachelle Writes

author of reverse harem and LGBTQ+ fantasy romance

December 12, 2020

Assassin’s Kiss, Chapter Five: Grand Tour

I glance at her face to gauge her reaction. Her features are hard to read. “You’re a tourist?” she asks.

I nod and curtsey again. I offer the first false name that comes to mind. “Lillian Rue, miss.”

“Father does not care for strangers in the house,” she says in a grave tone. “I do wonder how you got in.”

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December 5, 2020

Assassin’s Kiss, Chapter Four: Sightseeing

Another glance in all directions confirms I am alone. No one appears to be close enough to see me. I step off the street into the wooded area and stand behind a thick tree. I close my eyes, inhale a steady breath, and gather my energy. I breathe the word as I exhale. “Unseen.”

Invisible, I walk along the edge of the dusty path up to the house.

November 28, 2020

Assassin’s Kiss, Chapter Three: Little Songbird

Sparrow laughs and claps her hands, jumping up and down, as my hair reaches down to the floor. “Can you make it like mine?”

“Of course.” I close my eyes and breathe in. This time I picture the dark curls that tumble around Sparrow’s face before exhaling and directing the magic.

She laughs again and reaches one hand up to tug on a lock of her own hair. She turns to her mother and points back at me. “Look, Mommy!”

November 14, 2020

Assassin’s Kiss, Chapter One: Recon in the Stacks

The brightness in her eyes fades as she bites her lip. “Um… I’m sorry. I can’t provide information on other visitors. If you’re looking for local resident information, perhaps the census records can help you.”

I shake my head. Leaving the sketch on the desk, I lean toward the woman. “I need something a bit more recent and specific.” I tilt my head to the side, letting my currently long, silky auburn hair tumble over one shoulder. “Are you sure there isn’t anything you can do?” I plead.

November 10, 2020

The Romance of Consent (New Blog Series)

Romantic heroes often dive in for a kiss, make their move, go bold — but similar real-life behavior is unacceptable, often even qualified as assault. How do we reconcile romantic storytelling traditions with real-life implications of that behavior?

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